Showing posts with label books about writing. Show all posts
Showing posts with label books about writing. Show all posts

Friday, December 5, 2014

How To Be A Novelist Part 1

So I get a fair number of questions from people, both friends/family as well as readers, about how to "be a writer." I try to answer these questions as best I can, and I don't mind them at all, but it's hard to sum that up in a paragraph or off-hand conversation while still giving a helpful response.


So, I thought I'd write a series of blog posts about what I did* to develop my craft, learn the ropes of writing, and go on to have a career in writing. This will mainly focus on CRAFT, not business. The business aspect is super important, and there is absolutely a place to talk about that, but I think the foundation should be skills related to the creation of content.

*Bear in mind this is what I did in my journey. Mileage may vary!

So let's pretend you, the reader, are asking me to help you become a novelist with the intention to be published (independent, trad, hybrid, doesn't matter). You don't just want to write one novel, you want to make a career out of it. You want to tell stories and sell them and make a living from it.

I think emphasizing the career part is important, because a lot of my advice is going to hinge on the idea that you need to be developing skills that will allow you to stick with what is a difficult and intense process at times. If you want to write that one book and that's it, great! You will probably not make a lot of money from it**, so don't expect that, but that's perfectly fine if that isn't your plan. However, if you want a career, you will need more than one idea and infinite time to spin it into a story. You're going to need a whole arsenal of skills.

**People are funny with their assumptions about authors and their finances. I remember a couple of years ago when I was starting out and had 1-2 novels out, and people made all kinds of strange small talk with me about it. They'd say things like "are you a millionaire yet?" I just laughed awkwardly. Or, "you just need to get a movie deal and you're set for life, right?" Um, no. Other people say things like "you must be really rich" after you've published 1 book. No no no.

Anyway, this advice is specifically for people who want to be authors and who want a career doing that. People who are in it for the long haul.

First, pretend apprentice, I would advise you to work on developing or strengthening some skills, both general and writing-specific. The good news is that you can do all of these things at the same time, a little each day. Yay for multitasking!

General Skills

1. Develop discipline.

Writing is hard. It's emotionally taxing, creatively draining, and it requires a lot of work that nobody is making you do (unless you have deadlines and an editor harassing you about them, I suppose). Generally, you're going to sit down and write that novel IF you make yourself do it, so possessing the ability to make yourself work hard and stick to a schedule is pretty important. Soooooo many people say "one of these days I am gonna write that novel." Well... maybe? Novels don't just happen. They take a lot of intentionality. But remember, we're looking at developing a career here, not just writing that one book. So discipline is going to be even more important.


Honestly, I think one of the biggest hurdles to becoming an author is simply finding the discipline and fortitude to 1) learn to write well and then 2) actually do the writing. It's not so much the learning, it's the ability to keep trying and working over a long period of time.

I learned a lot of my self-discipline when I finished my degree long-distance due to health problems that caused me to drop out of school. So many people said to me, "I could never do that. I could never do my homework and write my papers if I didn't have the structure of class." But you CAN. It's a skill I learned--I wasn't born with baskets of willpower and discipline--and it came in handy again and again after I started seriously working on writing novels.

Well, how do you develop things like discipline?

I found these books really, really helpful. They are not about writing in particular, but they aided me as I worked to become a more productive individual.

The Power of Habit

Outliers: The Story of Success

Switch: How to Change Things When Change Is Hard

The Talent Code (haven't read this one but it looks similar to some other things I have read)


2. Develop a thick skin and the ability to hear constructive criticism.

A lot of writing is just re-writing and revising. You get the words down on paper and then you have beta readers and editors give you feedback, or you read books that guide you through the process of editing. You have to look at what you've produced and say, what needs to be fixed? How can I make this better? If you can't hear anything bad about your book baby, that is going to hold you back from growing as a writer. A lot of writers seem to be sensitive creatures--I certainly am--but I strongly advise cultivating the ability to hear hard things, because this will grow you as a writer. Also, you're going to get lots of criticism, not all of it constructive, once you are published. You are going to want to start now when it comes to learning to deal with that in a healthy manner.


WRITING SKILLS


1. Read fiction.

Seriously, read. Read all the time, especially in whatever genre you wish to write in. This is the fastest and best way for you to develop a feel and a taste for the genre. If you want to write YA, you need to be reading YA. Lots and lots of it. I cannot understand it when people say they want to write YA and they haven't read anything in that category except maybe The Hunger Games or something really well-known. That is THE starting point for you. Familiarize yourself in what you plan to write. Bathe in it. Soak in the styles, the conventions, the character types. Learn what you like and what you don't.

The good news is that this is the fun kind of work, because (hopefully!) if you want to write, then you like to read.

So read a lot.


2. Pay attention to all kinds of storytelling.

I, for instance, pay a lot of attention to my favorite TV shows. What do I like, what do I dislike, why did the writers make the choices they did, how could they have chosen differently? Analyze movies for structure, character arc, dialogue. Find a friend or two who enjoys discussing this kind of thing. Immerse yourself in the business of taking stories apart to find their nuts and bolts. This is part of learning how to put them together. This is another easy kind of work, one you can train yourself to do effortlessly.


3. Read books on writing.

I would suggest reading at least 6 books a year on craft, or 1 every couple of months. Depending on your skill level, you might want to start with more basic books on writing and work up. Beginner books are going to teach you very storytelling basic skills, like how to avoid info dumps, create compelling characters, and write basic, functional dialogue. The more immediate ones will assume that you know that kind of thing and focus on more advanced techniques. Here's some suggestions:

Beginner:

The First Five Pages

Self-Editing for Fiction Writers

Intermediate:

The Fire in Fiction

Writing the Breakout Novel

The Making of a Story


4. Write all the time.

It's as simple as that. You need to be writing. Not necessarily every day, but... a lot. Maybe every day. Make it a priority. Practice. Learn. Let yourself be terrible at it, and then learn why you were terrible, and fix it. Making mistakes is a huge part of learning. Don't be afraid to put down imperfect words, because that's what revision is for. Learn to uncork the flow of words in a consistent way. If you put off writing until you can compose it perfectly, you aren't going to learn. You're going to be afraid of failure and you're going to stall and stagnate. Don't do that.

Seriously, don't fall into the trap of waiting for a moment when you feel inspired and seized with the magic of the muse. In fact, that's a terrible idea, because most of the time you won't feel very inspired. Learn to use discipline (from general skills) and consistency to get the work done. As you become more familiar with your own process and as you grow your skills, you will develop confidence, and I think a lot of "writer's block" and other kinds of problems come from a lack of confidence in yourself as a writer and your own process, so you will see improvements there.

Movies always seem to depict writers as moodily wandering around, moaning about writer's block and doing romantic things like drinking a lot, smoking while wearing sunglasses, and staring through windows of coffee shops waiting for that perfect idea. NO. Writers plant their butts in chairs and write. They don't always leave the house or take a lot of showers if deadlines are tight. You're probably not going to be that guy from Castle. It is mostly unglamorous work. And when you've got a book or two out, it's not all about sitting around gazing at your name on the cover. Especially not as your write more and more. You'll probably say "cool," smile at it like a proud parent, and get back to work on the next one.


Don't be in love with this image of "being a writer." Love the craft. Love the process and the journey and the sharing of stories. It's what is going to sustain you through the crappy hard work.

Now, having said all that, I looooooooove being a writer. It. Is. My. Dream. Job. It's a lot of work, and it takes intentionality, cultivation of skills, and effort. But it's WORTH IT. And you can do it! You really, really can, if you set your mind to it and don't give up.

In part 2, I'll talk more in depth about my suggestions for developing your writing skills, specifically in regard to novels.

Tuesday, September 27, 2011

Win a Kindle and Other Great Prizes!

This week, KM Weiland from Wordplay is giving away a ton of awesome prizes in a contest to celebrate the launch of her new book, Outlining Your Novel: Map Your Way to Success.

I haven't read the book yet (although I did buy it), but Weiland's advice is stellar and her blog is amazing, so I imagine it will be a fabulous, helpful read.

Some of the prizes include:

* A Kindle 3G

* $100 worth of writing books donated and signed by the authors

* A poster from PosterText (I love these!)

And more ...

So head over and check it out. You have all week to enter.

Monday, August 29, 2011

Great Quotes

Another quote from Bird by Bird:

"The core, ethical concepts in which you most passionately believe are the language in which you are writing ... you can't tell them in a sentence or a paragraph; the truth doesn't come out in bumper stickers. there may be a flickering moment of insight in a one-liner, in a sound bite, but everyday meat-and-potatoes truth is beyond our ability to capture in a few words. Your whole piece is the truth, not just one shining epigrammatic moment in it. We're dealing with the ineffable here--we're out there somewhere between the known and the unknown, trying to reel in both for a closer look. This is why it may take a whole book."

--Anne Lamott

Tuesday, August 16, 2011

I Love Anne Lamott

I'm currently reading Bird by Bird as part of my "continuing education" as  a writer. If you haven't read it, you should. Anne Lamott is brilliant.

I particularly liked this quote, which I read today:

"The problem that comes up over and over again is that these people want to be published. They kind of want to write, but they really want to be published. You'll never get to where you want to be that way, I tell them."

~ Anne Lamott



In other news, I will be releasing another book very soon! It doesn't have a title yet (grrr) but I'm working on that. More news coming soon ...

Tuesday, June 28, 2011

Captain Nemo ... and Show vs. Tell

Captain Nemo has requested that I give him an eye patch because it will make him look "awesome."

According to TVTropes, this eye patch will insinuate that he is "either 1) an experienced combatant or 2) secretly a badass." I think it is an attempt at subterfuge, since he is in reality a ninja, the sworn enemy of pirates.

I haven't decided if I like it or not.

Captain Nemo with his requested eye patch.


I also wanted to share this link with you. This article gives an excellent look at the old adage "Show, Don't Tell," which I have long felt was over-simplistic advice that clearly didn't apply to a lot of the greats, like Joyce Carol Oates and Flannery O'Connor, and so couldn't be as iron-clad of a rule as some people think it is (but I didn't exactly know how to articulate why this was so, or why it worked). Anyway, it's good stuff and worth reading.

Show, Don't Tell -- Exposed!

Saturday, June 25, 2011

It was the Best of Times, It was the Worse of Times: Editing

So, I wrote another book over the last 3 weeks.

And now I'm editing it. 

Editing is a strange animal. I've edited (pauses to count on fingers) 5? books at this point (I've completed I think 9 novels, but not all of them made it to the editing stage), and no two editing experiences have been alike. With some books, I know there's something wrong but I just don't know what. With some books I read them through, mainly correcting small things like grammar and syntax, and with others I rearrange chapters, cut large portions, or add additional subplots. Every story is different. 

I'm also reading through both Self-Editing for Fiction Writers and Writing the Break-Out Novel right now as part of my self-assigned writer's homework. The Self-Editing for Fiction Writers is proving more helpful for this stage (although I'm getting some great pointers for my book from the Maass book too, particularly when it comes to my characters and my story's ending, which both need a little tweaking right now.

Anyway, I was wondering. What do you guys do when you edit? Do you have any helpful hints or secret strategies that work for you?

My plan so far:

1. Let book sit for a week or so, work on other projects. Gain emotional distance from the piece. CHECK
2. Let 1-2 beta readers at it, hear their suggestions and comments. CHECK
3. Re-read story, trying to think as a reader. SEMI-CHECK?
4. Brainstorm story as a whole. What works? What doesn't? Are there any unresolved issues, any characters that faded into the background, any problems with pacing or proportion? SEMI-CHECK
5. Apply changes, add necessary scenes, subplots, descriptions as necessary (NOTE: I almost never cut anything as major as a chapter or subplot, but generally I add at least 5k to the MS in edits. Sometimes I add as much as 15k in edits. I tend to write spare and lean, fleshing the story out as I reread and rewrite. I'd rather add than subtract, it's less emotionally exhausting to me.)
6. Re-read story out loud, checking for dialogue awkwardness, typos, and flow problems.
7. Submit back to betas.

That's basically my process. It works pretty well for me, but I'd love to hear suggestions about what anybody else does. Thoughts?

Friday, June 24, 2011

JK Rowling, Donald Maass, and the Ebook Revolution

So a week or so ago I said that I wanted to start reading 5 books about writing or editing a year so I can continue to push myself and polish my writing. Yesterday I starting ready my first book for the year, Writing the Breakout Novel by Donald Maass. So far it's really good, and he makes some great points and adds some wonderful insight into the business of writing and the world of publicists, editors, and so forth (much of which, by the way, makes me want to shrink away from traditional publishing altogether, but I digress. That is not currently The Plan.)

But there was one part that made me chuckle.The part where he talked about the future of ebooks.

When I was skimming the first chapter to see what it talked about, I spotted his words on ebooks and starting reading with interest at what he'd say about them. I actually recoiled at one point, taken aback and almost offended at the tone of what seemed like smug assurance, and I thought--"How reliable is this guy if he doesn't see what's happening in the industry?" But then I flipped to the front, saw that the book had been published in 2001 (I nodded, understanding immediately) and continued reading, this time with almost too much relish. I wanted to see what this savvy agent would say about how ebooks would shake up the industry, since I have the advantage of 10 years (11, really, since the book was written in 2000 and published in 2001. Much can change in just one short year when it comes to technology).

Here's one quote:

"So, will e-books save us from the harsh realities of traditional trade book publishing? No. I'm afraid that is just another myth ... But back to the revolution ... is there no hope that the heartless hegemony of the publishing conglomerates can be broken? Will e-publishing ride to the rescue of the midlist?"

(Actually, yes, many mid-list authors have tremendous success switching to self-publishing and e-books now)

He does say he's "keeping a close eye on developments" regarding ebooks. But later he writes:

"...[R]evolution? Sorry to say, it is unlikely to happen."

I giggled, because I read this soon after seeing the news that JK Rowling is self-publishing the Harry Potter e-books. (Yes, the publishing house is getting a small cut, but she is retaining full control and rights, and in their released statement Scholastic says they are "key players," not publishers. I believe they're being paid mainly for marketing/promotion. You can see a lot of good discussion about this here and here).

And let's not forget about Amanda Hocking, John Locke, and many others who've made millions through e-books. And in AH's case, she's actually been able to negotiate very favorable terms for breaking into traditional publishing, too.

Now, I don't know if he was speaking at all to self-pubbing/indie authorship, or if he was simply referring the the technology. But given the fact that he references POD, I think he was lumping self-publishing in there.

I would say on the heels of JK Rowling's announcement (not even touching all the other authors who've been so huge the last few months) e-books (and self-publishing/indie authorship) could be called a revolution. Because the changes going through the industry are pretty revolutionary.

Now, lest I sound like I'm shaking my fist at the horrible Big Six and sticking out my tongue or something, I don't consider myself in one camp or the other in terms of loyalty (although I do have a stake in the indie world, I would also love to be traditionally published as well). I don't want to see traditional publishing simply disappear. They've brought me almost every book I ever loved. There's a lot of great people in that industry. But I do think adaptation is needed. What's going to happen in another 10 years? I have no idea. Not a clue. But the tides are swiftly turning.

To be fair to Maass, I don't think anybody really saw it coming in 2001. Least of all those in the publishing industry.

I think it's pretty amusing to see that underestimation confidently preserved in this 10-year-old book, that's all.

Other than that (or should I saw especially because of that??), I am really enjoying Writing the Breakout Novel. Maass does have a lot of brilliant things to say about the craft. Thanks to everyone who recommended it.

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